Seitz may have started small, but like the film he championed back then, his opus could not be contained.—Evan Davis, Reverse Shot Despite being based on an open-source content management system instead of smudgy newsprint, the audacity of Reverse Shot lies in its “spirit of ’68” adherence to principles of print journalism. Movies are our passion and we want to discuss the best and worst in the film industry. Sicinski specializes in avant-garde film—there’s no other critic I know of who can make some of cinema’s most challenging works sound downright inviting—but he writes about Hollywood and art cinema with equal passion, humor, and clarity. And here’s how we can help you! New York remains a persistent locus of attention, but current online editor David Velasco says he aims to keep “multiple venues and topics in the mix.” Recent reports have been filed on screenings of Pancho Villa-centered documentaries by Gregorio Rocha and Félix and Edmundo Padilla at L.A.’s REDCAT experimental film theater, and an exhibition of works by Ryan Trecartin, Peter Campus, Sharon Lockhart, and Joachim Koester at The Power Plant contemporary art gallery in Toronto. It also has a sub section to view their scores of other film publications! . While the former provides Hollywood with focus-group insights into the valuable fanboy demographic and the latter fresh discoveries of up and coming (and thus inexpensive) creative talent, it’s eerie to think that awareness of Knowles alerted Hollywood to the existence of both youthful markets. Film Criticism is a peer-reviewed, online publication bringing together scholarship in the field of cinema and media studies since 1975. Many celebrated auteurs, but from the beginning it seems there was one sanctified quartet: Ozu, Bresson, Tarkovsky, and Dreyer. Critical reviews may appear many years after a film is released and in more scholarly journals. 4 Week Filmmaking and Acting Certificates, Designated Charity: Independent Film Trust. 2500+ movies are available here. Hi, A “Talkies” series of video interviews with filmmakers continues a string of ambitious digital and real-world experiments: a stint providing indieWIRE with reviews, guest-programming movie series, and even arranging for distribution of the documentary A Lion in the House in 10 cities in 2006.—Violet Lucca, Senses of Cinema A veritable institution in the world of online film journals, the 10-and-a-half-year-old Senses of Cinema continues to be one of the most vigorously diverse sources of scholarly research and commentary on the Web. While he may indeed be an academic (he has a background in visual art and teaches university film courses), there’s nothing dry about his writing. Not Coming increased its profile in 2009 by partnering with the NYC revival venue at 92YTribeca, where editors and contributors present public screenings of rare and controversial classics. Tracing subterranean trajectories between non-mainstream narrative and documentary filmmakers (e.g. And for those looking to venture beyond auteurism, Strictly Film School offers the option to browse reviews by genres (of the academic sort: “Neo-Expressionism,” “Cinema Verité”), themes (“Generational Conflict,” “Aging/Obsolescence/Death”), and images (“Chromatic Shifts – State of Consciousness, Existential Realm” being my personal favorite). Since Cozzalio has a day job, updates can be sporadic, but uninhibited by space limitations or word count, his posts are lengthy and well-illustrated with images. . “Film-Related Reading Notes” on recently browsed print matter and a “Film Fest Journal” tops off this exhaustively (and exhaustingly) comprehensive site. Websites such as Rotten Tomatoes and Metacritic, seek to improve the usefulness of film reviews by compiling them and assigning a score to each in order to gauge the general reception a film receives. In practice this means that the content is delightfully varied: reviews of new releases, coverage of repertory events in the Los Angeles area, nostalgic looks back at trashy gems that won’t even play on cable. Media Education Foundation Produces video documentaries, study guides and articles about the relationship between media ownership, commercial media content, and the democratic demand for free flows of information. Most impressive, as any dedicated digi-critic will tell you, is the community of commenters and fellow bloggers that have responded to Cozzalio’s work: their robust and insightful engagement lives up to Wired magazine’s Web utopianism.—Violet Lucca, Some Came RunningGlenn Kenny was once a respected critic and editor for Premiere until he became a casualty of capitalism’s war on journalism. For only $10, irlastrilla will write film criticism for your blog or website. Access to his interviews, and the many extraordinary polemics he penned for Cahiers du cinéma in the Fifties and Sixties, has also been limited. Walter Metz is a Professor in the Department of Cinema and Photography at Southern Illinois University, where he teaches film, television, and literary history, theory, and criticism. I wrote a article about it and covered reviews on upcoming Hollywood,Bollywood movies. Please try this related post: http://fullonlinestreamingmovies.blogspot.com/2016/01/best-sites-for-free-online-streaming-movies.html, For Indian movie reviews, you can go onto https://pycker.com, This article is good. Learn how your comment data is processed. Back in January of 2009, it launched a “re-imagining” of its website to coincide with the Sundance Film Festival’s kickoff, and announced its increasing integration with its new owner, SnagFilms, an online documentary-focused video distribution platform. Full of freewheeling insights, Acidemic gives seemingly familiar material an idiosyncratic spin.—Matthew Connolly, The Academic HackAt first glance, there’s something intimidating about Michael Sicinski’s website, with its spare design and unadorned capsules of small-print Times New Roman. Yet as its tagline, “Reports from the Lost Continent of Cinephilia,” suggests, it also serves as a venue for Kehr to bring his critical intelligence and knowledge to bear far beyond the home-video landscape. Most film critic societies do not allow internet-only members – and are oftentimes frequented largely by print, television, or radio critics. The list of reviews is very interesting, but where can new films be submitted for review? Seattle, WA – The Seattle Film Critics Society (“SFCS”) announced the winners in 20 categories for the 2019 Seattle Film Critics Society Awards on Monday, December 16, 2019. Farran Smith Nehme of The Self-Styled Siren turns the articulation of cliché and convention into a sport—no surprise she’s chosen melodrama as her champion underdog and counts Max Ophüls and Douglas Sirk among her favorite directors. November 2020. As well as this, they also have a wide variety of other information on the site. Check out the eminently useful worldwide DVD release calendar posted on the sharply designed home page and explore five years’ worth of DVD of the Year readers’ polls. Their witty reviews really are well worth a look as are their numerous articles and past releases. That’s not to imply that her project is a slapdash affair; as of March 2010, her sharp postings will be included in Turner Classic Movies’ official blog, Movie Morlocks. Srinivasan’s expansive view doesn’t ignore U.S. cinema; the blog’s coverage of Inglourious Basterds remains among the most densely packed and satisfying on the Web. A witty, working mother of three (the blog originated during afternoon naptime), the Siren is a unique and refreshing voice in a field often prone to nostalgic vacuity or esoteric one-upmanship. Hi, He sent her his college-paper movie reviews (written 1965-67 and also included on the site), and she helped him get a gig with the Los Angeles Free Press. Speculating as to why the incubators of Avatar seemed so compelled to weigh down a would-be romp with the cement shoes of a “message movie,” Sconce hypothesizes: “Perhaps this stems from a sense of guilt—if someone is going to spend this much money on a film, it should do more than simply grind Cool Ranch Doritos into the spectator’s eyes for two hours.” Dusting off all manner off sub-pop pap and B-grade tawdriness from decades past, Ludic also offers analytical treatises on contemporary concerns: a memorandum on our growing fascination with mall cops; a fiery deflation of the “Balloon Boy” media circus; a dialectical account of the death of “the teenager,” prompted by England’s adoption of the anti-loitering gizmo “the mosquito.” No matter the moving-image netherworlds Sconce navigates, the self-evident absurdity (which would be enough for most cultural commentators) is only the starting point—Sconce’s explications may be funny, but they’re far from a joke. Movie reviews and ratings by Film Critic Roger Ebert | Roger Ebert. Hartmut Bitomsky, Marcel Hanoun, Jean-Claude Rousseau), Ali recuperates films that make politics and pedagogy integral to their aesthetics. Founder and academic Daniel Frampton has since collected his long-gestating reflections in an ambitious 2006 book Filmosophy (a work whose cumbersome title has perhaps unsurprisingly failed to catch on), turning over stewardship of the site to current managing editor David Sorfa. In a defense of Lindsay Lohan, for instance, Kuersten (who has written about his struggles with alcohol) both calls out the public’s gender bias and then offers the oft-soused starlet some AA-inspired solidarity. That’s another amazing post , Thanks for sharing… He is the author of three books: Engaging Film Criticism: Film History and Contemporary American Cinema (2004), Bewitched (2007), and Gilligan’s Island (2012). Movies are our passion and we want to discuss the best and worst in the film industry. Run by former GreenCine Daily guru David Hudson (who also blogged briefly for IFC.com), it offers an extensive daily clearing-house of film-related news, criticism, and commentary generated from online and print publications, as well as from personal blogs and lively interactive amateur enclaves on the Web. D’Angelo was one of the first critics to make his name almost exclusively through the Internet, and though many since have traveled down this new-media path, few have come quite so far. Check out http://www.filmsite.org – recommended personally by Roger Ebert when he was alive. Film criticism is the comparison, analysis, interpretation, and/or evaluation of films. Since founders Ed Gonzalez and Sal Cinquemani opened Slant Magazine more than a decade ago, the site has blossomed into one of the most respected film criticism establishments around. In 2006, he embarked on a project to exalt what he thought was a misunderstood and unappreciated film, Terrence Malick’s The New World. Film critic Jonathan Rosenbaum has written several books and for years wrote for the Chicago Reader. Your opinion is more or less the same as main. An “Anecdote of the Week” feature showcases her extensive bibliographic endeavors. It’s rare to find such subjects spotlighted with so much eloquence, and it’s with essays like this that the site really scores.—Benjamin Shapiro, Acidemic Acidemic is to be experienced more than summarized. Mubi (the website formerly known as The Auteurs) The driving force behind The Criterion Collection’s November 2008 website overhaul, The Auteurs combines a film library with a social networking platform and an online journal called The Notebook. There are two different types of publications that offer opinions about films: Academic criticism by film scholars that appears in scholarly journals; Journalistic film … D’Angelo went on from Entertainment Weekly to write for Time Out New York and Esquire, and though the economy would eventually deprive him of those gigs, The Man Who Viewed Too Much is still around and he continues to write for print venues—the Las Vegas Weekly, Nashville Scene, and The Onion’s A.V. The Notebook, meanwhile, provides a top-notch example of the indispensable work that a dedicated news-aggregator can perform in the age of the RSS feed. The days of greybeard, white men writing reviews and chastising a film for not living up to a French film released 40 years prior are over. A post noting the death of actress Carol Marsh features an image of a pigtailed, bedridden Carol calmly gazing off-screen left, followed by a wild-haired, quite vampiric Carol perched in a tree and leering off-screen right; as a micro-meditation on the dualities of a screen persona, it’s genuinely haunting. Communities of dedicated amateurs link and sustain Masters of Cinema as a valuable resource for anyone with access to a multi-region DVD player. If you don't mind, I would like to add to this list one more movie website. Create the logo for a new film criticism website - The Cinessential; Cliente 99designs. Some months there may be as few as two or three entries, but the thoroughness of Sallitt’s historically informed criticism gives his blog a distinctive lasting value. There are countless user reviews of each film title, ranging from a 1-star review up to a 10! Inheriting a semi-academic critical approach, each quarterly edition has championed a single director or explored an aspect of filmmaking (a single shot, sound, etc.). Thanks for sharing this post about movies. In other words, this site separates the wheat from the chaff in order for you to select your Friday night viewing! In its two years online, the publication has thrived on a cinephilic passion open to many different tastes and approaches, with subjects ranging from the art of cinematography to the aesthetics of early video games, from established filmmakers like Wes Anderson to more obscure figures such as Yasmin Ahmad. And if you’re still waiting for the definitive appraisal of oddball icon Clint Howard, your day has arrived.—Jesse P. Finnegan, Sergio Leone and the Infield Fly RuleIn a media environment that rewards snark, however joyless, Dennis Cozzalio is an affable and refreshing voice. CiteSeerX - Scientific articles matching the query: A Film Criticism Website Based on "ThinkPHP". The Japan Times Film Section. You have described a great list. Bridging the gap between serious criticism and scholarship, the journal is noteworthy not only for its consistently insightful prose and wide-ranging subjects—often pegged to important film exhibitions—but for its regular inclusion of video essays, an exciting emergent format that has been pioneered by frequent contributors Kevin B. Lee and Matt Zoller Seitz. And he isn’t afraid to revisit his past favorites again and again, obsessively attempting to pin down what it is about certain films (Chinatown, Fight Club, No Country for Old Men) that he finds so compulsively watchable. The site’s authors write the reviews on this site and they give each title a score. etc.) But the Internet can be credited with extending his name’s reach among a wider movie-loving readership, and this exhaustive online anthology ensures that we can all continue to learn from his work.—Andrew Chan, RougeAfter wandering through the new-media forest of so many hyperactive, cluttered web pages, the spare layout of the Australia-based online film journal Rouge feels like a clearing in a forest—a clean, well-lighted place for an ardently cinephilic readership interested in some of today’s finest long-form critical writing. From bit-rate analyses and run-time certifications to examinations of aspect ratios and image formatting, Beaver’s orgy of tech specs is a cinephilic wet dream. I will even go as far as saying that film criticism is more relevant today than it ever has been. When he’s at his best, though, he navigates the cyber landscape with the ease of any “digital native” youngster. 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